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Ennui Tbilisi, Georgia
An idea to create this project came to David Unsaved several years ago when he read Terenti Graneli's poetry. But at that time he was busy with his other projects like dark ambient and brutal death metal. Only in May 2012 he decided to create Ennui so he offered Serj Shengelia to play with him and he immediately accepted. Literally next day they decided to write songs for album and one month later ... more
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supported by 65 fans who also own “"The Day Of Abandonment" by Ennui”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it. That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter.
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supported by 65 fans who also own “"The Day Of Abandonment" by Ennui”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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supported by 62 fans who also own “"The Day Of Abandonment" by Ennui”
One of the most beautiful funeral doom album’s I’ve ever heard!
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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The Exuviae of Gods - Part I
by Mournful Congregation
featured on Bandcamp Radio Jun 10, 2022
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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supported by 61 fans who also own “"The Day Of Abandonment" by Ennui”
Déhà n'a jamais caché son admiration pour Shape of Despair et on ressent l'influence de ce groupe dans cette démo qui accompagne la naissance de Slow sobrement intitulée I. Dans ce beau morceau de funeral doom metal, c'est la dimension atmosphérique qui est la plus importante, faisant office d'ouverture, de conclusion et même d'interlude ; la guitare et la batterie sont joués avec parcimonie — ils n'apparaissent d'ailleurs qu'au bout de cinq minutes. I est un point de vue original sur le genre.
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